A show that transports us to Suzanne Valadon's Montmartre. The protagonists will be the texts written by Santiago Rusiñol, since, based on the amusing chronicles he wrote from Paris, we will immerse ourselves in the richness of that creative environment and discover how artists lived, created and had fun in what was undoubtedly the artistic center of the time. The show will feature Chinese shadows by La Tija.
A dialogue between the plastic arts and the performing arts. Les arts plàstiques han estat presents als teatres des de l'inici dels temps. CORPUS is a performative exhibition on this reverteix: les arts escèniques entren al museu per formar parte del seu relat juntament amb les peces que s'hi allotgen. It is a contact between the exhibition space and the performing arts. From CORPUS onwards, the public will be able to reinterpret some of the works exposed to the museum through the actions that these fish represent. El públic passeja per l'espai de la mateixa manera que ho faria visitant una exposició temporal, sense limitació de temps i amb la llibertat d'avançar o retrocedir segons la seva voluntat.
This work in progress revolves around the social, anthropological and corporal repercussions of food, as well as all the daily rituals that surround the act of eating and feeding. It reflects on the spaces that exist between traditional cuisine and fast food, between a local economy and a globalized world.
UNHEIMLICH
Unheimlich seeks to be a review of our behavior as spectators in front of the bodies exhibited in art museums. From four performers, a reflection on these governing corporalities is activated. A look inside and behind the physical canons. How many hours has the model remained motionless for the painter to achieve the final result? How does the nude become an object to be consumed to the taste of those who observe it? How do we, the viewers, activate some discourses or others around these representations? Unheimlich questions where ethics and privacy reside in these representations and what makes art sublime, transcending in those elements that are not allowed or accepted in our everyday lives.
Barcelona, 21st century. Right now, someone, at this precise moment, begins what will be their first show. He starts it as a mental idea. This idea must be born, grow and become real. Autònoma is the birth, growth and gestation of that idea, along with all the legal and creative vicissitudes that the artist must go through for this idea to materialize and come to life. Autònoma is the reflection of the world of the independent artist in our contemporaneity.
